{"id":383,"date":"2025-03-24T15:22:42","date_gmt":"2025-03-24T14:22:42","guid":{"rendered":"https:\/\/dclp.eu\/it\/?p=383"},"modified":"2025-07-03T07:23:34","modified_gmt":"2025-07-03T05:23:34","slug":"dclp-num-2","status":"publish","type":"post","link":"https:\/\/dclp.eu\/it\/dclp-num-2\/","title":{"rendered":"DCLP num 2"},"content":{"rendered":"<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img decoding=\"async\" loading=\"lazy\" width=\"724\" height=\"1024\" src=\"https:\/\/dclp.eu\/it\/wp-content\/uploads\/sites\/5\/2025\/03\/DCLP_N2-724x1024.jpg\" alt=\"\" class=\"wp-image-384\" srcset=\"https:\/\/dclp.eu\/it\/wp-content\/uploads\/sites\/5\/2025\/03\/DCLP_N2-724x1024.jpg 724w, https:\/\/dclp.eu\/it\/wp-content\/uploads\/sites\/5\/2025\/03\/DCLP_N2-212x300.jpg 212w, https:\/\/dclp.eu\/it\/wp-content\/uploads\/sites\/5\/2025\/03\/DCLP_N2-768x1086.jpg 768w, https:\/\/dclp.eu\/it\/wp-content\/uploads\/sites\/5\/2025\/03\/DCLP_N2-1086x1536.jpg 1086w, https:\/\/dclp.eu\/it\/wp-content\/uploads\/sites\/5\/2025\/03\/DCLP_N2-1448x2048.jpg 1448w, https:\/\/dclp.eu\/it\/wp-content\/uploads\/sites\/5\/2025\/03\/DCLP_N2-1200x1697.jpg 1200w, https:\/\/dclp.eu\/it\/wp-content\/uploads\/sites\/5\/2025\/03\/DCLP_N2-1980x2800.jpg 1980w, https:\/\/dclp.eu\/it\/wp-content\/uploads\/sites\/5\/2025\/03\/DCLP_N2-scaled.jpg 1810w\" sizes=\"(max-width: 724px) 100vw, 724px\" \/><\/figure><\/div>\n\n\n<div class=\"content-width\">\n<div class=\"TraitementDeTexte\">\n<div class=\"t6\">L&rsquo;\u00c9motion chez Luciano Pavarotti<\/div>\n<span class=\"saut-ligne\"><\/span>\n<div class=\"t8\">\nN\u00b0 2 (2022)<br>\n<span class=\"saut-ligne\"><\/span>\nData di pubblicazione : settembre 2022<br>\n<span class=\"saut-ligne\"><\/span>\nData di messa online : maggio 2024\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"content-width\">\n<span class=\"revues\"><\/span>\n<div class=\"telechargement\">\n<table>\n<tbody>\n<tr>\n<th colspan=\"2\" class=\"t3\"><a href=\"https:\/\/dclp.eu\/wp-content\/uploads\/2022\/12\/Sommaire_n-2.pdf\" target=\"_blank\" rel=\"noopener\">INDICE<\/a><\/th>\n<\/tr><tr>\n<td colspan=\"2\"><a class=\"telecharger_button\" href=\"https:\/\/dclp.eu\/wp-content\/uploads\/2022\/12\/Sommaire_n-2.pdf\" download=\"\">Scarica il PDF<\/a><\/td>\n<\/tr>\n\n<tr>\n<td><\/td>\n<td><a class=\"bord_texte\" href=\"https:\/\/dclp.eu\/it\/auteurs-nt\">A proposito degli autori<\/a><\/td>\n<\/tr>\n\n<tr><td colspan=\"2\"><span class=\"revues\"><\/span><\/td><\/tr>\n\n<tr>\n<th><a href=\"https:\/\/dclp.eu\/wp-content\/uploads\/2022\/12\/DCLP_N2_Mantovani.pdf\" target=\"_blank\" rel=\"noopener\">\u00ab Una delle grandi passioni di Luciano \u00bb<\/a><\/th>\n<td>Nicoletta MANTOVANI<\/td>\n<\/tr><tr>\n<td colspan=\"2\"><a class=\"telecharger_button\" href=\"https:\/\/dclp.eu\/wp-content\/uploads\/2022\/12\/DCLP_N2_Mantovani.pdf\" download=\"\">Scarica il PDF<\/a><\/td>\n<\/tr>\n\n<tr><td><span class=\"saut-ligne\"><\/span><\/td><\/tr>\n\n<tr>\n<th><a href=\"https:\/\/dclp.eu\/wp-content\/uploads\/2022\/12\/DCLP_N2_Jeannin.pdf\" target=\"_blank\" rel=\"noopener\">\u00ab The Birth and Popularization of the Modern Tenor Voice from Gilbert Duprez to Luciano Pavarotti \u00bb<\/a><\/th>\n<td>Marc JEANNIN<\/td>\n<\/tr><tr>\n<td colspan=\"2\"><a class=\"telecharger_button\" href=\"https:\/\/dclp.eu\/wp-content\/uploads\/2022\/12\/DCLP_N2_Jeannin.pdf\" download=\"\">Scarica il PDF<\/a><\/td>\n<\/tr>\n\n<tr><td><span class=\"saut-ligne\"><\/span><\/td><\/tr>\n\n<tr>\n<th><a href=\"https:\/\/dclp.eu\/wp-content\/uploads\/2022\/12\/DCLP_N2_Pistone.pdf\" target=\"_blank\" rel=\"noopener\">\u00ab Luciano Pavarotti &amp; l&rsquo;op\u00e9ra : passion et \u00e9motion \u00bb<\/a><\/th>\n<td>Dani\u00e8le PISTONE<\/td>\n<\/tr><tr>\n<td colspan=\"2\"><a class=\"telecharger_button\" href=\"https:\/\/dclp.eu\/wp-content\/uploads\/2022\/12\/DCLP_N2_Pistone.pdf\" download=\"\">Scarica il PDF<\/a><\/td>\n<\/tr>\n\n<tr><td><span class=\"saut-ligne\"><\/span><\/td><\/tr>\n\n<tr>\n<th><a href=\"https:\/\/dclp.eu\/wp-content\/uploads\/2022\/12\/DCLP_N2_Ceppelli.pdf\" target=\"_blank\" rel=\"noopener\">\u00ab Luciano Pavarotti e la sua Modena \u00bb<\/a><\/th>\n<td>Fabio CEPPELLI<\/td>\n<\/tr><tr>\n<td colspan=\"2\"><a class=\"telecharger_button\" href=\"https:\/\/dclp.eu\/wp-content\/uploads\/2022\/12\/DCLP_N2_Ceppelli.pdf\" download=\"\">Scarica il PDF<\/a><\/td>\n<\/tr>\n\n<tr><td><span class=\"saut-ligne\"><\/span><\/td><\/tr>\n\n<tr>\n<th><a href=\"https:\/\/dclp.eu\/wp-content\/uploads\/2022\/12\/DCLP_N2_Demonet.pdf\" target=\"_blank\" rel=\"noopener\">\u00ab Luciano Pavarotti : artiste commercial ou populaire ? \u00bb<\/a><\/th>\n<td>Gilles DEMONET<\/td>\n<\/tr><tr>\n<td colspan=\"2\"><a class=\"telecharger_button\" href=\"https:\/\/dclp.eu\/wp-content\/uploads\/2022\/12\/DCLP_N2_Demonet.pdf\" download=\"\">Scarica il PDF<\/a><\/td>\n<\/tr>\n\n<tr><td><span class=\"saut-ligne\"><\/span><\/td><\/tr>\n\n<tr>\n<th><a href=\"https:\/\/dclp.eu\/wp-content\/uploads\/2022\/12\/DCLP_N2_Christoffel.pdf\" target=\"_blank\" rel=\"noopener\">\u00ab Lettres de Francine Leduc \u00e0 Luciano \u00bb<\/a><\/th>\n<td>David CHRISTOFFEL<\/td>\n<\/tr><tr>\n<td colspan=\"2\"><a class=\"telecharger_button\" href=\"https:\/\/dclp.eu\/wp-content\/uploads\/2022\/12\/DCLP_N2_Christoffel.pdf\" download=\"\">Scarica il PDF<\/a><\/td>\n<\/tr>\n\n<tr><td><span class=\"saut-ligne\"><\/span><\/td><\/tr>\n\n<tr>\n<th><a href=\"https:\/\/dclp.eu\/wp-content\/uploads\/2022\/12\/DCLP_N2_Fel.pdf\" target=\"_blank\" rel=\"noopener\">\u00ab Luciano Pavarotti, un \u00eatre humain par-dessus tout ! \u00bb<\/a><\/th>\n<td>Christophe FEL<\/td>\n<\/tr><tr>\n<td colspan=\"2\"><a class=\"telecharger_button\" href=\"https:\/\/dclp.eu\/wp-content\/uploads\/2022\/12\/DCLP_N2_Fel.pdf\" download=\"\">Scarica il PDF<\/a><\/td>\n<\/tr>\n\n<tr><td><span class=\"saut-ligne\"><\/span><\/td><\/tr>\n\n<tr>\n<th><a href=\"https:\/\/dclp.eu\/wp-content\/uploads\/2022\/12\/DCLP_N2_Kim.pdf\" target=\"_blank\" rel=\"noopener\">\u00ab Hommage au maestro Pavarotti par une approche pratique du belcanto \u00bb<\/a><\/th>\n<td>Mi-kyung KIM<\/td>\n<\/tr><tr>\n<td colspan=\"2\"><a class=\"telecharger_button\" href=\"https:\/\/dclp.eu\/wp-content\/uploads\/2022\/12\/DCLP_N2_Kim.pdf\" download=\"\">Scarica il PDF<\/a><\/td>\n<\/tr>\n\n<tr><td><span class=\"saut-ligne\"><\/span><\/td><\/tr>\n\n<tr>\n<th><a href=\"https:\/\/dclp.eu\/wp-content\/uploads\/2022\/12\/DCLP_N2_Huneau.pdf\" target=\"_blank\" rel=\"noopener\">\u00ab Luciano Pavarotti et le chant lyrique fran\u00e7ais : quelques p\u00e9pites et anecdotes \u00bb<\/a><\/th>\n<td>Denis HUNEAU<\/td>\n<\/tr><tr>\n<td colspan=\"2\"><a class=\"telecharger_button\" href=\"https:\/\/dclp.eu\/wp-content\/uploads\/2022\/12\/DCLP_N2_Huneau.pdf\" download=\"\">Scarica il PDF<\/a><\/td>\n<\/tr>\n\n<tr><td><span class=\"saut-ligne\"><\/span><\/td><\/tr>\n\n<tr>\n<th><a href=\"https:\/\/dclp.eu\/wp-content\/uploads\/2022\/12\/DCLP_N2_Pouliquen.pdf\" target=\"_blank\" rel=\"noopener\">\u00ab Luciano Pavarotti : l&rsquo;\u00e9motion sans fronti\u00e8res \u00bb<\/a><\/th>\n<td>David POULIQUEN<\/td>\n<\/tr><tr>\n<td colspan=\"2\"><a class=\"telecharger_button\" href=\"https:\/\/dclp.eu\/wp-content\/uploads\/2022\/12\/DCLP_N2_Pouliquen.pdf\" download=\"\">Scarica il PDF<\/a><\/td>\n<\/tr>\n\n<tr><td><span class=\"saut-ligne\"><\/span><\/td><\/tr>\n\n<tr>\n<th><a href=\"https:\/\/dclp.eu\/wp-content\/uploads\/2022\/12\/DCLP_N2_Rocquet.pdf\" target=\"_blank\" rel=\"noopener\">\u00ab Mes souvenirs de Luciano Pavarotti \u00bb<\/a><\/th>\n<td>Philippe ROCQUET<\/td>\n<\/tr><tr>\n<td colspan=\"2\"><a class=\"telecharger_button\" href=\"https:\/\/dclp.eu\/wp-content\/uploads\/2022\/12\/DCLP_N2_Rocquet.pdf\" download=\"\">Scarica il PDF<\/a><\/td>\n<\/tr>\n\n<tr><td><span class=\"saut-ligne\"><\/span><\/td><\/tr>\n\n<tr>\n<td><\/td>\n<td><a class=\"bord_texte\" href=\"https:\/\/dclp.eu\/it\/auteurs-nt\">A proposito degli autori<\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n<span class=\"revues\"><\/span>\n<\/div>\n\n\n\n<div class=\"content-width\">\n<div class=\"content-revues\">\n<span class=\"saut-lignex2\"><\/span>\n<div id=\"b0\">Direttori della rivista (in ordine alfabetico)<\/div>\n<span id=\"b1\">Dr Marc JEANNIN,<\/span> <span id=\"b0\">Universit\u00e0 di Angers ;<\/span>\n<span id=\"b1\">Dr David POULIQUEN<\/span>,<span id=\"b0\"> DCLP<\/span>\n<span class=saut-lignex2><\/span>\n<div id=\"b0\">Direttore della pubblicazione<\/div>\n<span id=\"b1\">Dr Jean-Fran\u00e7ois BIANCO<\/span>, <span id=\"b0\">Universit\u00e0 di Angers<\/span>\n\n<table>\n<tbody>\n\n<tr>\n<td colspan=\"2\">Direzione scientifica (in ordine alfabetico)<\/td>\n<\/tr>\n\n<tr>\n<th>Prof. Matteo CASARI<\/th>\n<td>Alma Mater Studiorum &#8211; Universit\u00e0 di Bologna<\/td>\n<\/tr>\n<tr>\n<th>Pr Adrian GRAFE<\/th>\n<td>Universit\u00e0 di Artois<\/td>\n<\/tr>\n<tr>\n<th>Pr Dani\u00e8le PISTONE<\/th>\n<td>Universit\u00e0 Paris-Sorbonne<\/td>\n<\/tr>\n\n<tr>\n<td colspan=\"2\" class=\"saut-ligne\"><\/td>\n<\/tr>\n\n<tr>\n<td clospan=\"2\">Comitato scientifico (in ordine alfabetico)<\/td>\n<\/tr>\n\n<tr>\n<th>Prof. Angela ALBANESE<\/th>\n<td>Universit\u00e0 degli Studi Modena e Reggio Emilia<\/td>\n<\/tr>\n<tr>\n<th>Pr Carlo ALTINI<\/th>\n<td>Universit\u00e0 degli Studi Modena e Reggio Emilia<\/td>\n<\/tr>\n<tr>\n<th>Pr Patrick BARBAN<\/th>\n<td>Universit\u00e0 del Havre<\/td>\n<\/tr>\n<tr>\n<th>Pr Marina BONDI<\/th>\n<td>Universit\u00e0 degli Studi Modena e Reggio Emilia, Conservatorio di Musica Vecchi Tonelli<\/td>\n<\/tr>\n<tr>\n<th>Pr Philippe BLAUDEAU<\/th>\n<td>Universit\u00e0 di Angers<\/td>\n<\/tr>\n<tr>\n<th>Dr Jean-No\u00ebl CASTORIO<\/th>\n<td>Universit\u00e0 del Havre<\/td>\n<\/tr>\n<tr>\n<th>Fabio CEPPELLI<\/th>\n<td>Teatro Luciano Pavarotti<\/td>\n<\/tr>\n<tr>\n<th>Pr Carole CHRISTEN<\/th>\n<td>Universit\u00e0 del Havre<\/td>\n<\/tr>\n<tr>\n<th>Dr Golda COHEN<\/th>\n<td>Universit\u00e0 di Angers<\/td>\n<\/tr>\n<tr>\n<th>Pr Norbert COL<\/th>\n<td>Universit\u00e0 di Bretagna Sud<\/td>\n<\/tr>\n<tr>\n<th>Pr Carl GOMBRICH<\/th>\n<td>The London Interdisciplinary School<\/td>\n<\/tr>\n<tr>\n<th>Me. Gildard GUILLAUME<\/th>\n<td>Accademia delle Scienze, Belle Lettere e Arti<\/td>\n<\/tr>\n<tr>\n<th>Simon LEADER<\/th>\n<td>The Leys School<\/td>\n<\/tr>\n<tr>\n<th>Dr Marie NGO NKANA<\/th>\n<td>Universit\u00e0 di Strasburgo<\/td>\n<\/tr>\n<tr>\n<th>Jean-Yves LEJUGE<\/th>\n<td>Festival di Musica Barocca di Quelven<\/td>\n<\/tr>\n<tr>\n<th>Prof. Nicola PASQUALICCHIO<\/th>\n<td>Universit\u00e0 di Verona<\/td>\n<\/tr>\n<tr>\n<th>Prof. Paul PHILLIPS<\/th>\n<td>Stanford University<\/td>\n<\/tr>\n<tr>\n<th>Dr Geoffrey RATOUIS<\/th>\n<td>Universit\u00e0 di Angers<\/td>\n<\/tr>\n<tr>\n<th>Dr Sophie ROCH-VEIRAS<\/th>\n<td>Universit\u00e0 Cattolica dell&rsquo;Ovest<\/td>\n<\/tr>\n<tr>\n<th>Pr Clair ROWDEN<\/th>\n<td>School of Musicologia Cardiff University<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n<div class=\"interligne\">\n<span id=\"b0\">Consigliera legale : <\/span><span id=\"b1\">Amandine GAULTIER<\/span>\n<span class=\"saut-lignex2\"><\/span>\n<span id=\"b0\">Team editoriale :<\/span>\n<ul>\n<li>\n<span id=\"b0\">Sezione editoriale : <\/span>\n<\/li>\n<div id=\"b1\">Marine VASLIN<\/div>\n<div id=\"b1\">Lisa FISCHER<\/div>\n<div id=\"b1\">Marjorie GRANDIS<\/div>\n<span class=\"saut-lignex2\"><\/span>\n<li>\n<span id=\"b0\">Sezione grafica-design : <\/span>\n<span id=\"b1\">Allison LEGRAVE<\/span>\n<\/li>\n<\/ul>\n<span id=\"b0\">Webmaster : <\/span><span id=\"b1\">Dominique RIBALET<\/span>\n<\/div>\n<span class=\"saut-lignex2\"><\/span>\n\n<div id=\"b0\">Rivista annuale<br>Rivista ad accesso libero, disponibile su : <a href=\"https:\/\/dclp.eu\/revue-dclp\">www.dclp.eu\/revue-dclp<\/a>\n<span class=\"saut-ligne\"><\/span>\n<img decoding=\"async\" src=\"https:\/\/dclp.eu\/wp-content\/uploads\/2021\/09\/1630684620117blob.png\">\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"content-width\"> \n<div class=\"content-revues\"> \n<span class=\"saut-lignex4\"><\/span>\n\n<div id=\"b0\">\nLingue di pubblicazione: francese, italiano, inglese<br><br>\n@ : <a href=\"mailto:contact-revue-dclp@dclp.eu\">contact-revue-dclp@dclp.eu<\/a><br>\nISSN : 2804-0074<br>\nDeposito legale: febbraio 2021\n<\/div>\n<\/div>\n<span class=\"revues\"><\/span>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>L&rsquo;\u00c9motion chez Luciano Pavarotti N\u00b0 2 (2022) Data di pubblicazione : settembre 2022 Data di messa online : maggio 2024 INDICE Scarica il PDF A proposito degli autori \u00ab Una delle grandi passioni di Luciano \u00bb Nicoletta MANTOVANI Scarica il PDF \u00ab The Birth and Popularization of the Modern Tenor Voice from Gilbert Duprez to [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[4],"tags":[],"_links":{"self":[{"href":"https:\/\/dclp.eu\/it\/wp-json\/wp\/v2\/posts\/383"}],"collection":[{"href":"https:\/\/dclp.eu\/it\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dclp.eu\/it\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dclp.eu\/it\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/dclp.eu\/it\/wp-json\/wp\/v2\/comments?post=383"}],"version-history":[{"count":17,"href":"https:\/\/dclp.eu\/it\/wp-json\/wp\/v2\/posts\/383\/revisions"}],"predecessor-version":[{"id":610,"href":"https:\/\/dclp.eu\/it\/wp-json\/wp\/v2\/posts\/383\/revisions\/610"}],"wp:attachment":[{"href":"https:\/\/dclp.eu\/it\/wp-json\/wp\/v2\/media?parent=383"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dclp.eu\/it\/wp-json\/wp\/v2\/categories?post=383"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dclp.eu\/it\/wp-json\/wp\/v2\/tags?post=383"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}