{"id":94,"date":"2024-06-10T15:54:09","date_gmt":"2024-06-10T13:54:09","guid":{"rendered":"https:\/\/dclp.eu\/en\/?p=94"},"modified":"2025-07-01T09:29:03","modified_gmt":"2025-07-01T07:29:03","slug":"revue-dclp-en","status":"publish","type":"post","link":"https:\/\/dclp.eu\/en\/revue-dclp-en\/","title":{"rendered":"Revue-dclp-en"},"content":{"rendered":"
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Overview<\/h4>\n
\nThe first languages were musical and passionate before becoming simple and methodical.<\/i>\n<\/span>\nJean-Jacques Rousseau\n<\/div>\n<\/span>\n\n
\nThe Revue internationale Dire et Chanter Les Passions (revue DCLP) is a peer-reviewed journal that publishes articles related to the main theme of the expression of passions, emotions, voices, talents, expertise, and artistic forms. It offers interdisciplinary reflections from various perspectives, without theoretical or methodological restrictions. The journal publishes in the field of humanities and social sciences, in digital and\/or print format, articles from researchers, experts, specialists, artists, and personalities recognized on a national and\/or international level. The revue DCLP releases thematic issues, special editions, and a miscellaneous section. This highlights the journal\u2019s strong commitment to breaking down knowledge barriers and promoting the dissemination of knowledge. In addition to the revue DCLP, the publishing house *Dire et Chanter Les Passions* publishes books on a variety of topics, generally related to passions and emotions. \n<\/span>\nPublisher:<\/b> : Dire et Chanter Les Passions\n<\/div>\n<\/div>\n<\/div>\n\n\n\n
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\n<\/span>\nEditors of the journal (alphabetically)<\/span>
\nDr Marc JEANNIN,<\/span> Universit\u00e9 of Angers ;<\/span>\nDr David POULIQUEN<\/span>, DCLP<\/span>\n<\/span>\n
Publisher<\/div>\nDr Jean-Fran\u00e7ois BIANCO<\/span>, Universit\u00e9 of Angers<\/span>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Scientific Direction (alphabetically)<\/td>\n<\/tr>\n\n
Prof. Matteo CASARI<\/th>\nAlma Mater Studiorum – University of Bologna<\/td>\n<\/tr>\n
Pr Adrian GRAFE<\/th>\nUniversity of Artois<\/td>\n<\/tr>\n
Pr Dani\u00e8le PISTONE<\/th>\nUniversity of Paris-Sorbonne<\/td>\n<\/tr>\n\n
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Scientific Committee (alphabetically)<\/td>\n<\/tr>\n\nProf. Angela ALBANESE<\/th>\nUniversity of Modena and Reggio Emilia<\/td>\n<\/tr>\n
Pr Carlo ALTINI<\/th>\nUniversity of Modena and Reggio Emilia<\/td>\n<\/tr>\n
Pr Patrick BARBAN<\/th>\nUniversity of Le Havre<\/td>\n<\/tr>\n
Pr Marina BONDI<\/th>\nUniversity of Modena and Reggio Emilia, Conservatory of Music Vecchi Tonelli<\/td>\n<\/tr>\n
Pr Philippe BLAUDEAU<\/th>\nUniversity of Angers<\/td>\n<\/tr>\n
Dr Jean-No\u00ebl CASTORIO<\/th>\nUniversity of Le Havre<\/td>\n<\/tr>\n
Fabio CEPPELLI<\/th>\nLuciano Pavarotti Theater<\/td>\n<\/tr>\n
Pr Carole CHRISTEN<\/th>\nUniversity of Le Havre<\/td>\n<\/tr>\n
Dr Golda COHEN<\/th>\nUniversity of Angers<\/td>\n<\/tr>\n
Pr Norbert COL<\/th>\nUniversity of South Brittany<\/td>\n<\/tr>\n
Pr Carl GOMBRICH<\/th>\nThe London Interdisciplinary School<\/td>\n<\/tr>\n
Me. Gildard GUILLAUME<\/th>\nAcademy of Sciences, Fine Letters and Arts<\/td>\n<\/tr>\n
Simon LEADER<\/th>\nThe Leys School<\/td>\n<\/tr>\n
Dr Marie NGO NKANA<\/th>\nUniversity of Strasbourg<\/td>\n<\/tr>\n
Jean-Yves LEJUGE<\/th>\nQuelven Baroque Music Festival<\/td>\n<\/tr>\n
Prof. Nicola PASQUALICCHIO<\/th>\nUniversity of Verona<\/td>\n<\/tr>\n
Prof. Paul PHILLIPS<\/th>\nStanford University<\/td>\n<\/tr>\n
Dr Geoffrey RATOUIS<\/th>\nUniversity of Angers<\/td>\n<\/tr>\n
Dr Sophie ROCH-VEIRAS<\/th>\nCatholic University of the West<\/td>\n<\/tr>\n
Pr Clair ROWDEN<\/th>\nCardiff University School of Musicology<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n
\nLegal Advisor: Amandine : <\/span>Amandine GAULTIER<\/span>\n<\/span>\nEditorial Section :<\/span>\n