{"id":474,"date":"2025-03-24T15:17:10","date_gmt":"2025-03-24T14:17:10","guid":{"rendered":"https:\/\/dclp.eu\/en\/?p=474"},"modified":"2025-07-02T15:07:10","modified_gmt":"2025-07-02T13:07:10","slug":"dclp-num-3","status":"publish","type":"post","link":"https:\/\/dclp.eu\/en\/dclp-num-3\/","title":{"rendered":"DCLP num 3"},"content":{"rendered":"
\n
\"\"<\/figure><\/div>\n\n\n
\n
\n
L’\u00c9motion chez Maria Callas<\/div>\n<\/span>\n
\nN\u00b03 (2024)
\n<\/span>\nPublication date : September 2024
\n<\/span>\nOnline publication date : 2 December 2024
\n<\/div>\n<\/span>\n<\/span>\n
TABLE OF CONTENTS<\/div>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Introduction<\/td>\n<\/tr>\n
1. The Love, Art, and Life of a Woman<\/td>\n<\/tr>\n2. Emotion and Inspiration<\/td>\n<\/tr>\n3. Heart and Analysis<\/td>\n<\/tr>\n\n
<\/td>\nAbout the Authors<\/a><\/td>\n<\/tr>\n
<\/span><\/td>\n<\/tr>\n\n
Introduction by Jean-Fran\u00e7ois Bianco and Marc Jeannin<\/td>\n<\/tr>\n
\u00ab Introduction \u00bb<\/a><\/th>\nJean-Fran\u00e7ois Bianco and Marc Jeannin<\/td>\n<\/tr>
Download PDF<\/a><\/td>\n<\/tr>\n\n
<\/span><\/td><\/tr>\n\n
1. The Love, Art, and Life of a Woman<\/td>\n<\/tr>\n
\u00ab Maria Callas, le triomphe de la volont\u00e9 \u00bb<\/a><\/th>\nAur\u00e9lie Moreau<\/td>\n<\/tr>
Download PDF<\/a><\/td>\n<\/tr>\n\n
\u00ab Maria Callas, le destin d’une diva \u00bb<\/a><\/th>\nEulalie Giraud<\/td>\n<\/tr>
Download PDF<\/a><\/td>\n<\/tr>\n\n
<\/span><\/td><\/tr>\n\n
2. Emotion and Inspiration<\/td>\n<\/tr>\n
\u00ab “Oh l\u00e0 l\u00e0 ! Il se prend pour la Callas” \u00bb<\/a><\/th>\nSt\u00e9phane S\u00e9n\u00e9chal<\/td>\n<\/tr>
Download PDF<\/a><\/td>\n<\/tr>\n\n
<\/span><\/td><\/tr>\n\n
3. Heart and Analysis<\/td>\n<\/tr>\n
\u00ab The Callas effect: how a soprano changed the opera \u00bb<\/a><\/th>\nDiana Elizabeth Martinovich<\/td>\n<\/tr>
Download PDF<\/a><\/td>\n<\/tr>\n\n
\u00ab Maria Callas and the craft of emotion \u00bb<\/a><\/th>\nCraig Wich and Kelly Hijleh<\/td>\n<\/tr>
Download PDF<\/a><\/td>\n<\/tr>\n
<\/td>\nAbout the Authors<\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n<\/span>\n<\/div>\n\n\n\n
\n
\n<\/span>\n
Directeurs de la revue (par ordre alphab\u00e9tique)<\/div>\nDr Marc JEANNIN,<\/span> Universit\u00e9 d’Angers ;<\/span>\nDr David POULIQUEN<\/span>, DCLP<\/span>\n<\/span>\n
Directeur de la publication<\/div>\nDr Jean-Fran\u00e7ois BIANCO<\/span>, Universit\u00e9 d’Angers<\/span>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Direction scientifique (par ordre alphab\u00e9tique)<\/td>\n<\/tr>\n\n
Prof. Matteo CASARI<\/th>\nAlma Master Studiorum – Universit\u00e0 di Bologna<\/td>\n<\/tr>\n
Pr Adrian GRAFE<\/th>\nUniversit\u00e9 d’Artois<\/td>\n<\/tr>\n
Pr Dani\u00e8le PISTONE<\/th>\nUniversit\u00e9 Paris-Sorbonne<\/td>\n<\/tr>\n\n
<\/td>\n<\/tr>\n\n
Comit\u00e9 scientifique (par ordre alphab\u00e9tique)<\/td>\n<\/tr>\n\n
Prof. Angela ALBANESE<\/th>\nUniversit\u00e0 degli Studi Modena e Reggio Emilia<\/td>\n<\/tr>\n
Pr Carlo ALTINI<\/th>\nUniversit\u00e0 degli Studi Modena e Reggio Emilia<\/td>\n<\/tr>\n
Pr Patrick BARBAN<\/th>\nUniversit\u00e9 du Havre<\/td>\n<\/tr>\n
Pr Marina BONDI<\/th>\nUniversit\u00e0 degli Studi Modena e Reggio Emilia, Conservatorio di Musica Vecchi Tonelli<\/td>\n<\/tr>\n
Pr Philippe BLAUDEAU<\/th>\nUniversit\u00e9 d’Angers<\/td>\n<\/tr>\n
Dr Jean-No\u00ebl CASTORIO<\/th>\nUniversit\u00e9 du Havre<\/td>\n<\/tr>\n
Fabio CEPPELLI<\/th>\nTeatro Luciano Pavarotti<\/td>\n<\/tr>\n
Pr Carole CHRISTEN<\/th>\nUniversit\u00e9 du Havre<\/td>\n<\/tr>\n
Dr Golda COHEN<\/th>\nUniversit\u00e9 d’Angers<\/td>\n<\/tr>\n
Pr Norbert COL<\/th>\nUniversit\u00e9 de Bretagne Sud<\/td>\n<\/tr>\n
Pr Carl GOMBRICH<\/th>\nThe London Interdisciplinary School<\/td>\n<\/tr>\n
Me. Gildard GUILLAUME<\/th>\nAcad\u00e9mie des Sciences, Belles-Lettres et Arts<\/td>\n<\/tr>\n
Simon LEADER<\/th>\nThe Leys School<\/td>\n<\/tr>\n
Dr Marie NGO NKANA<\/th>\nUniversit\u00e9 de Strasbourg<\/td>\n<\/tr>\n
Jean-Yves LEJUGE<\/th>\nFestival de musique baroque de Quelven<\/td>\n<\/tr>\n
Prof. Nicola PASQUALICCHIO<\/th>\nUniversit\u00e0 di Verona<\/td>\n<\/tr>\n
Dr Paul PHILLIPS<\/th>\nStanford University<\/td>\n<\/tr>\n
Dr Geoffrey RATOUIS<\/th>\nUniversit\u00e9 d’Angers<\/td>\n<\/tr>\n
Dr Sophie ROCH-VEIRAS<\/th>\nUniversit\u00e9 Catholique de l’Ouest<\/td>\n<\/tr>\n
Pr Clair ROWDEN<\/th>\nSchool of Musicologie Cardiff University<\/td>\n<\/tr>\n\n<\/tbody>\n<\/table>\n\n
\nConseill\u00e8re juridique : <\/span>Amandine GAULTIER<\/span>\n<\/span>\n\u00c9quipe \u00e9ditoriale :<\/span>\n